Notes from the Road
Dana Robinson

2003 UK Tour Part 1

Monday, August 18th
The voyage begins with an 8-hour drive up to Northern Virginia to depart from Dulles where we found the best flight fares.  Sue and I arrived at Andrew McKnight and Michelle’s house where the welcome is always warm, and spent the night outside around a fire with bottles of beer and Michelle’s Pina Coladas, trading songs under the stars. I thought it an auspicious way to begin a tour.

Tuesday, August 19th
A huge Thank You to Jerry Bresee for the lift to Dulles, use of his flight case for my guitar, and letting us park our car at his place for the entire five weeks of this tour. It’s friends like this that take the hard edge off what would otherwise be a long and complex tour. I always seem to fly the red-eye across the Atlantic, making for awful jet lag. Even if you try to get some shut-eye there’s such anticipation and excitement of the trip that it’s difficult to settle down. The late food, the movies, people milling around, and jet noise doesn’t help either. Though I can recommend Virgin-Atlantic, as they did not hassle Sue for bringing her banjo aboard, and the design of the new Airbus Jet was really slick and European, nicer than the clunky Boeings.

Wednesday, Aug 20th
Heathrow International, 7am.  We shuffle out of the plane, and make like bleary-eyed sheep through immigration and customs. After a quick coffee, croissant, and water we find a piece of sidewalk outside under the ‘departures’ sign in the bright, crisp West London morning. We sat on our luggage as we waited for Steafan Hannigan, our host, friend and partner in the booking agency, to pick us up. Cars and trucks zoomed by in a rush of unfamiliar shapes, noise and exhaust (all on the other side of the road).  Before too long a white Mazda with a familiar shaved head, and the CD player blasting through open windows and sunroof, screeches to a halt in front of us.  As we settle in I notice the heater is blasting full tilt. Steafan apologizes saying, “The radiator fan is broken.” I look and see the temperature gauge is redlining. Then he adds, “This is your car for the tour!”

Thursday, Aug 21st
Today I’m off to the “car breakers,” or salvage yard to look for a used radiator fan. I think it bizarre that I am newly in a foreign land with jet lag and surrounded by smashed and squished cars. I remind myself that fixing the car this way is actually easier and cheaper than taking the car to a mechanic. I climb upon a pile of these haphazardly stacked metal pancakes and carefully remove a fan from under a dented hood of a similar Mazda. Later, back at home Steafan and I work WD40 into the rusted blots and without too much cussing install the new used fan and voila, it works! Now, we just need to put a little air into the near bald tires and we’re good to go.

Friday, Aug 22nd
Today, the Bridgnorth Festival is the first gig of the tour.  Besides being reasonably prepared, I really didn’t think too much about what would be required of us here. Upon arrival, reading our “artist” package I see we are playing on the “Marquee” stage that evening. I didn’t realize that that translates to “Main Stage” in the states. Driving up to the Marquee for sound check I feel a hit and glow of adrenaline, realizing this stage is the nucleus of the festival. Under this gorgeous circus tent replete with colorful panels sewn together in some old-fashioned looking style, 600 chairs sit before a massive stage.  Sue, on the other hand turns white and retreats in fear as a serious bout of stage fright sets in!  Stage fright is a funny thing. It is like the devil’s cold hand feeding on your fears. We battled Sue’s devil through the evening until it was time to play. By the time the MC announced our names to sing for however many hundreds of people, that devil was whooped and we got up and nailed the set. The sound was crystal clear, the lights were bright, the applause was loud, and the experience became pure fun. We did our job, and walked off the stage on a light and fluffy cloud…straight toward the beer tent to celebrate. Our tour had begun.  

Sunday, Aug 24th
These Bank Holiday festival weekends encompass four days, from Friday through the following Monday. After two full days at Bridgnorth we arose early and sleep deprived to drive two hours south to make an 11am sound check at the Towersy Village Festival. Loading into our Mazda in the quiet Sunday morning air we discovered one of its tires had gone squishy flat! (Did I mention we had no spare?) Our hosts said all the air pumps at the stations in Bridgnorth seemed to be broken, so we had no choice but to creep down the road away from town and hope for some air pump to magically appear. After 20 minutes driving 25 mph we found our oasis in a station that hadn’t yet opened up. I knocked on the door and the attendant turned the compressor on, and “whew!” we were on our way. We made our Towersy sound check just in time, and then fell into a groove. With CD’s flying out of our bag we rode the momentum of where do we go now, and what do we play next. Between workshops, marquee stages, theatres, and a village hall, we played ten sets of music in these four days. By Monday night on Towersy Marquee Stage we were wupped.  I think we made it through our last set on pure muscle memory. My favorite music of the festival was discovering the Irish singer Column Sands, and we traded songs with Beverly Smith and Carl Jones from the U.S.

 Thursday, Aug 28th 
Frankly, I can’t remember what we did on Tuesday and Wednesday besides buying new tires for our loaner Mazda. We slept, walked, did laundry, email, and a little singing probably. Today our gig was at the venerable Black Swan Folk Club in York. It’s the quintessential English Folk Club with its 15th Century crooked floors, and swayback roof. It was nice seeing our hospitable promoter Roland Walls, and I was quite flattered that Jez Lowe and his “Bad Pennies” fiddle player Kate Bramley came to the show.

Saturday Aug 30th
Canterbury Whole Foods today. It was out of Northampton in the Midlands, down the M1 around London’s M25 across the Themes on the Queen Elizabeth Bridge in Dartford, and onto the southeastern tip of England. Contrary to most of the tour it was a quiet night, but it was nice returning to this room with its high ceiling and fine acoustics. It was enough just to have a reason to come to Canterbury and walk down the narrow streets and be a tourist for the afternoon.

Sunday, Aug 31st
We ended August with The Herschel Arms in Slough. (It’s not pronounced “sluff”, or “slew”, but rather to sound like “ow!” as in ouch!) I requested to return to The Herschel Arms for this gig because I enjoy its generous proprietor Tom King. Tom, however is very forgetful, and he did not remember we were coming. No publicity done, and nobody coming for the show, but also no worries. He handed me my fees up front, sat us down and said, “have at it”, and “what’ll you have to drink?” He kept our pint glasses (over) full while we settled into a night of fiddle tunes and singing. Whenever anybody spoke too loud Tom would shout, “Silence!” and stomp his foot once perfectly on the beat of the tune to let everyone know in no uncertain terms what was priority in the room.

 

Onward to Scotland in “September Notes From The Road”!

Cheers!    - Dana