![]() |
|
|
A Song For Everett Ruess July 30th 2003 Just home now from three weeks away and my desk is like the lawn outside: overgrown, and difficult to mow through. Papers, receipts and random notes lay choked like the grass is wet and thick. The mower stalls, just like my brain that doesn’t quite know how to prioritize. A few days, I figure, and things’ll begin to look normal again. My desk clear, the garden weeded, and the lockers at the YMCA familiar again. Just in time to leave for the next tour. This month’s gift was a song that was a year and a half in the making: a song about Everett Ruess. In March of 2002, touring in Utah, I was given a book called “Everett Ruess – A Vagabond For Beauty”. I knew there was a song in it somewhere. So I waited. (See Notes From The Road March 2002) One evening, looking at the book with my guitar in my lap, I read a poem he wrote and heard a melody in the words, “Here in the utter stillness, high on a lonely cliffs edge…”. I knew I had found a door, and spent the next three weeks pouring myself into it. Many of the best lyrics are Everett’s own words from his letters and journals, so in effect he deserves co-authorship. Something about reading Everett Ruess is that you can’t help but come under the influence of how he saw the world. Everett was continually intoxicated with the beauty of the landscape. He wouldn’t settle for anything less. One can shift perspective in their eyes in order to intensify the contrasts and colors of their surroundings. It's a practice of focus and appreciation of the shapes of things. I believe this is the way a painter sees the world. It’s a delight to travel with Everett in your head. Everett chose the most inhospitable places to be the subject of his attention, and he became drawn ever deeper into them. In his mid to late teens he learned how to travel unassisted into the most remote parts of the southwestern desert. In his mind he became so removed from society, so absorbed in the fabric of what surrounded him, so on the edge of what we call reality, that he simply slipped away. The strongest of many theories about his disappearance, was that cattle rustlers shot him. I think it doesn’t ultimately matter how he went. In my mind I see his body dissolving into the “rending flames” and “overwhelming beauty” he felt around him. I finished writing “Everett” in a state park north of Racine, Wisconsin. The location is interesting, I think, because that’s near where I finished “What Would Woody Do”. That part of the Midwest seems to be good for songwriting. The endorphins of this new song promptly kicked in and Sue began applying a banjo and harmony part to it. Now it’s a joy to tell folks about who Everett Ruess was. You could say that if Everett hadn’t died so young he could have become one of America’s great and well-known artists. He never aspired to any fame. Yet his particular gift of perception and passion live on in his words. In the spring of nineteen-thirty, at sixteen years
of age In the year of thirty-one, I turned seventeen From Kayenta east to Shiprock, the scarlet cactus
blooms I shall sing my song above the shriek of desert
winds November thirty-four I left Escalante
town Here in the utter stillness high on a lonely cliffs
edge July 19th 2003 Thanks for reading. Sue and I leave for England and Scotland on Monday. I’ll look forward to sharing our experiences with you in August and September’s “Notes”. Keep in touch! Dana
| |