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'Round My Door (Threshold Music 2008)
‘Round My Door finds Dana delving ever deeper into his visions of the American landscape. Songs such as “Everett Ruess,” “’Round My Door,” “Cotton From The Clay” and “Watercolor Eyes” highlight Dana’s ability to “…paint with words images so arresting they seem three dimensional” (Rock and Reel), while songs like Woody Guthrie’s “Pastures of Plenty” and the old-time tune “Glory in the Meeting House” are a nod to their traditional influences. The arrangements are classic Dana & Susan Robinson with the guitar and banjo front and center and smatterings of percussion, mandolin, piano, and steel and electric guitar around the edges.
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Native
Soil (Threshold Music 2004)
Dana and
Susan's debut recording as a duo, Native Soil has one foot rooted in
southern old-time stringband tradition and the other in an all-culture
blend of third-world rhythms, crooked English ballads, funky banjo
originals, and vocal harmonies.
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Avenue
of the Saints (Threshold
Music 2002)
In Avenue of the Saints, Dana Robinson writes about place, and
its connection with the
heart. Farmer Saints, Cowboys, Tramps, Railroad workers, Soul Searchers,
and Hemp Activists all inhabit these songs. The Berkshire Mountains, Nevada
desert, Sandhills of Nebraska, Iowa farmland, the Susquehanna, Mississippi,
and Brazos Rivers provide settings for these characters.
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The Trade (Threshold
Music 2000)
The Trade is infused with the soul of the American landscape. Produced by
award-winning producer Bil
VornDick, and recorded in Nashville, the arrangements feature a
rootsy stringband sound with a contemporary rhythm section.
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Midnight Salvage (Threshold Music 1997)
Midnight Salvage includes songs written since Dana's move to Western Massachusetts in
1995. The arrangements highlight Dana's unique percussive fingerstyle
approach and harmonies with Lui Collins and Rani
Arbo.
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Elemental Lullabye (Threshold
Music 1994)
Dana's debut CD includes songs written during his seven years living in Vermont's northern
Green Mountains. Co-produced with Pete Sutherland, the arrangements feature Pete's fiddle
playing, the bottleneck slide of Brooks Williams, the haunting vocals of Patty Casey,
sparse drums and acoustic bass.
Click CD cover for overview, and lyrics. |
Copyright 2008 Dana & Susan Robinson, All Rights Reserved |